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Canon R6 II test: Best of both worlds

April 27th, 2023

The Canon EOS R6 II’s video spec might not break new ground, but it’s one of the finest hybrids for shooting stills and movies

Mini Test: Rotolight AEOS & Neo Image Maker kits

January 7th, 2023

We test and rate Rotolight’s more powerful Aeos 2 and Neo 3 Pro LED lights for ease of use, power and brightness

Mini test: Sirui 50mm f/1.8 Anamorphic 1.33x lens

August 18th, 2020

The unmistakable cinematic look of a true anamorphic lens has always remained well out of the grasp of independent filmmakers, and that's partly what...

Sony FX9 test: Indie chart-topper

August 11th, 2020

Sony’s new full-frame FX9 is set to be the camera most independent production companies will be buying or renting

Group test: Middleweight Tripods

March 25th, 2020

We take a look at a range of tripods suitable for mirrorless, DSLR or small cinema cameras

The surprise offspring

December 9th, 2019

The world’s smallest full-frame mirrorless camera that shoots Raw video internally is the shockingly capable product of the L-Mount alliance

S1H is worth the weight

December 9th, 2019

Panasonic’s new full-frame mirrorless camera might be slow to come  to market and larger than its rivals, but packs a heavyweight punch

Tested: Sony PXW-FS7

June 9th, 2016

Sony’s FS7 camcorder has generated lots attention since its launch, along with a lengthy waiting list of would-be purchasers, but is it really the...

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