If you shoot Sony and want a fast, super-telephoto for wildlife or sport, then you’ve been out of luck until now. But the premium G Master lens series is now up to a magnificent seven, thanks to the new, eye-wateringly expensive FE 400mm f/2.8 GM OSS.

There are lots of external hard drives on the market at widely varying prices, but very few are designed with the very specific needs of the modern filmmaker in mind. The sort of user who wants loads of storage space, incredibly quick data transfer to robust Enterprise-class drives, lots of RAID options for security of footage, a rugged case to be able to take the unit on location and ideally the fastest ports you can get for use on the latest Mac computers. 

New from Sennheiser is the HD-300 PRO, a set of specialist monitoring headphones. This is Sennheiser’s top-of-the-range offering  for those who take audio seriously.

Manfrotto’s traditional twin-tube aluminium video tripod with mid-level spreader, teamed with the firm’s 504 fluid head, has long been the go-to set of sticks for filmmakers around the globe who demand performance and value. And it’s easy to see why – sturdy but not too heavy, rugged, long-lasting and top value for money.

When fashion-conscious Robert Baggs used to go out on a shoot, he’d give all the regular camera bag brands a wide swerve as he hated their functional but often unstylish looks. Instead, he’d use a designer bag with a padded insert inside to keep his cameras safe and street cred high. But with a lot of weight inside a bag not designed for the job, it soon led to problems such as discomfort and eventually back pain.

For filmmakers looking to be flexible, wired microphones simply don’t cut it. Wireless solutions are reliable, cost-effective and easy to set up, and if you invest in a decent system, you should be set up and ready to go in an interview situation within a minute or so.

When kit is labelled ‘universal’ or ‘one size fits all’, often it should come with a warning that it’ll be  a compromise, won’t actually fit properly or do a good job. That’s definitely not the case with the Vocas Flexible Camera Rig Pro Kit. Designed to fit cameras from DSLRs and mirrorless right up to cinema cameras, the new Vocas FCR-15 Pro kit is intelligently designed and easy to adjust.

About us

Targeting independent commercial filmmakers and small production companies, Pro Moviemaker delivers the latest industry tech innovation and gear scoops to creatives, entrepreneurs and decision makers hell bent on staying ahead of the game. As early adopters, Pro Moviemaker readers want news, reviews and technique features focused on kit so that they know what to buy next and how it will drive the continued success of their business. Diverse in their roles and shooting genres, Pro Moviemaker readers are united by their thirst for knowledge – a thirst which is quenched not only by our hands-on production, post and business advice features, but also our inspirational interviews with leading pros.

Contacting the team


+44 (0)1223 499462

Editor-in-chief Adam Duckworth

+44 (0)1223 492246

Staff writer Chelsea Fearnley

+44 (0)1223 499450


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