Fujifilm is targeting independent filmmakers with a pair of high-tech E-mount cine lenses that are smaller, lighter and promise to be more affordable than their premium broadcast cine lens range.

Best known for its stills-based cameras and very high-end Fujinon cine lenses, the Japanese firm has come up with a pair of manual focus zooms that retain the optical quality of their bigger brothers but are smaller and more affordable. The US price of the first lens to be launched, the MK18-55mm, is $3799. No UK price has yet been set.

The lenses are the MK18-55mm and MK50-135mm, both with a maximum speed of T/2.9 right through the whole zoom range. They will be available in the Sony E mount but a Fuji X-mount version will follow in the future. Initially the 18-55mm will hit the shops first with the 50-135mm out in the summer.

Both lenses are for Super 35 rather than full-frame cameras, so are ideal for cameras like the Sony FS7 and FS5. The official press release reads:

Sigma’s popular ART lens range has now increased to seven with the launch of an ultra-wide 14mm f/1.8 and 135mm f/1.8 primes and a 24-70mm f/2.8 zoom for full-frame Canon, Nikon and Sigma bodies.

Sigma claims the 14mm optic is the world's first and only F1.8 ultra-wide-angle lens amd has nine rounded aperture blades for smooth out-of-focus rendering. The weather-sealed 24-70mm also has nine rounded aperture blades and image stabilisation. And the 135mm f/1.8 uses an accelerometer to detects the orientation of the lens so the AF system can respond to varying loads on the focusing group due to gravity.

No pricing or availability details have yet been released. Sigma’s official information says:

Get your hands on the brand new Zeiss Lightweight Zoom LWZ.3 on the Sony FS7 camera on the Zeiss stand at the BVE show at Excel in London on February 28-March 2. The official Zeiss information says:

Samyang has revealed a new full-frame 20mm T1.9 XEEN Cinema prime lens - its eighth cine lens. It's made to match its siblings with the focus and aperture rings in the same place. It has 11 iris blades for pleasing bokeh and resolves higher resolution than 4K. It comes in PL, EF, F, E, and Micro Four Thirds mounts with metric or imperial scales. It should be available next month in the UK for £1799.99/ $2250. The official press release says:

If you've splashed out on the new Apple MacBook Pro with its new super-fast Touch Bar, and use Final Cut Pro X, Logic Pro X or Adobe Creative Cloud editing programs, you're in luck. The popular Editors Keys shortcut keyboard covers are now available for your new Mac laptop. Read the full press release below:

Schneider have revealed a new set of lenses that allow you to tilt the focus plane. The Xenon FF-Prime Cine-Tilt lenses are similar to their -frame cine primes but allow you to add plus or minus 4 degrees of tilt.

That will allow users to alter the plane of focus for the ultimate in front-to-back sharpness without resorting to very small apertures which can introduce diffraction. Tilt can also be used to create the ‘miniature’ effect at wide apertures. But the limited degree of tilt – half of the tilt available of Schneider’s tilt and shift photo lenses – means this effect will be limited.

The Xenon FF-Prime Cine-Tilt optics will be available in 25mm, 35mm, 50mm, 75mm and 100mm versions, all with a maximum aperture of T2.9 They will be available in a Sony E-mount this spring, although other mounts may be available later. No prices have yet been set. The press release reads:

Lens adapter giant Metabones has revealed four new EF to E-mount adapters. The top of the range the EF to E CINE Smart Adapter and EF to E CINE Speed Booster ULTRA now have Cine-style positive-locking EF mounts like the one on the recently-revealed Sony FS7 II. The full press release reads: 

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Targeting independent commercial filmmakers and small production companies, Pro Moviemaker delivers the latest industry tech innovation and gear scoops to creatives, entrepreneurs and decision makers hell bent on staying ahead of the game. As early adopters, Pro Moviemaker readers want news, reviews and technique features focused on kit so that they know what to buy next and how it will drive the continued success of their business. Diverse in their roles and shooting genres, Pro Moviemaker readers are united by their thirst for knowledge – a thirst which is quenched not only by our hands-on production, post and business advice features, but also our inspirational interviews with leading pros.

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