Thieves broke into Veydra’s offices in California last night and made off with more the 200 Mini Prime cinema lenses – virtually all the company’s stock.

“We are offering a reward for any information leading to return of Veydra Mini Prime lenses from our inventory. This many lenses should be noticeable so if you see any crazy deals on Veydra, help us recover our stolen goods,” said a Veydra statement.

Veydra say lenses will be available again soon but warns there may be delays as the build up their stocks again. 


The bare shelves of Veydra's stockroom after the theft

Los Angeles-based cinematographer Jay Holben attended the Hollywood launch of Fujifilm’s ground breaking new MK lens family and he sent Pro Moviemaker back this exclusive report from the event.

Fujifilm is targeting independent filmmakers with a pair of high-tech E-mount cine lenses that are smaller, lighter and promise to be more affordable than their premium broadcast cine lens range.

Best known for its stills-based cameras and very high-end Fujinon cine lenses, the Japanese firm has come up with a pair of manual focus zooms that retain the optical quality of their bigger brothers but are smaller and more affordable. The US price of the first lens to be launched, the MK18-55mm, is $3799. No UK price has yet been set.

The lenses are the MK18-55mm and MK50-135mm, both with a maximum speed of T/2.9 right through the whole zoom range. They will be available in the Sony E mount but a Fuji X-mount version will follow in the future. Initially the 18-55mm will hit the shops first with the 50-135mm out in the summer.

Both lenses are for Super 35 rather than full-frame cameras, so are ideal for cameras like the Sony FS7 and FS5. The official press release reads:

Sigma’s popular ART lens range has now increased to seven with the launch of an ultra-wide 14mm f/1.8 and 135mm f/1.8 primes and a 24-70mm f/2.8 zoom for full-frame Canon, Nikon and Sigma bodies.

Sigma claims the 14mm optic is the world's first and only F1.8 ultra-wide-angle lens amd has nine rounded aperture blades for smooth out-of-focus rendering. The weather-sealed 24-70mm also has nine rounded aperture blades and image stabilisation. And the 135mm f/1.8 uses an accelerometer to detects the orientation of the lens so the AF system can respond to varying loads on the focusing group due to gravity.

No pricing or availability details have yet been released. Sigma’s official information says:

Get your hands on the brand new Zeiss Lightweight Zoom LWZ.3 on the Sony FS7 camera on the Zeiss stand at the BVE show at Excel in London on February 28-March 2. The official Zeiss information says:

Samyang has revealed a new full-frame 20mm T1.9 XEEN Cinema prime lens - its eighth cine lens. It's made to match its siblings with the focus and aperture rings in the same place. It has 11 iris blades for pleasing bokeh and resolves higher resolution than 4K. It comes in PL, EF, F, E, and Micro Four Thirds mounts with metric or imperial scales. It should be available next month in the UK for £1799.99/ $2250. The official press release says:

Adding to its range of Xeen lenses Samyang's latest professional Cine lens is the manual focus 16mm T2.6. 

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About us

Targeting independent commercial filmmakers and small production companies, Pro Moviemaker delivers the latest industry tech innovation and gear scoops to creatives, entrepreneurs and decision makers hell bent on staying ahead of the game. As early adopters, Pro Moviemaker readers want news, reviews and technique features focused on kit so that they know what to buy next and how it will drive the continued success of their business. Diverse in their roles and shooting genres, Pro Moviemaker readers are united by their thirst for knowledge – a thirst which is quenched not only by our hands-on production, post and business advice features, but also our inspirational interviews with leading pros.

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