Neewer: Redefining outdoor filmmaking
Posted on Feb 22, 2025 by Pro Moviemaker
The Neewer F700 is a big and bright external monitor that excels even in harsh sunlight
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Neewer’s seven-inch F700 monitor display not only works indoors in low light, but its range of cutting-edge features make it the obvious choice for outdoors on the sunniest days.
It combines 2000-nit brightness with intelligent light adjustment, resulting in clear visuals in harsh light – no sunshade required. Perfect for on the go, this monitor also offers a useful real-time preview.
The brilliant choice
The F700’s Full HD IPS screen is stunning. With 1920×1080 resolution, a 1000:1 contrast ratio and 10-bit colour depth, it offers vivid colour reproduction via its Rec. 709 gamut. Every detail is crisp, and an ultra-wide 160° viewing angle lets all the crew monitor shots.
Equipped with smart light-sensing, it alters screen brightness to the environment. In intense sun or low light, this optimises comfort and visibility, reducing eye strain.
For fast grading, the newest Neewer monitor offers real-time 3D LUT support. Capable of loading up to 60 LUTs via SD card, the F700 ensures consistent colour grading, providing a seamless transition from on-set preview to post-production.
Supporting 4K HDMI input/output, the F700 handles UHD formats effortlessly. Whether it’s 3840x2160p at 30Hz or 4096x2160p at 24Hz, it accommodates high-resolution footage with precision.
Practicality on-set
From a mains adapter to USB Type C inputs and NP-F series battery compatibility, the F700 ensures uninterrupted power. Its DC output can even act as a dummy battery for your camera, extending its runtime during critical moments.
Intuitive controls, touch functionality and advanced monitoring tools such as waveforms and vectorscope make the F700 a filmmaker’s dream. It delivers uncompromising quality with deep blacks, vibrant colours and sharp details to elevate every frame. The Neewer F700 can be your window to smoother production.
For more information, visit neewer.com
Originally published in the Mar/Apr 2025 issue of Pro Moviemaker
