Amaran’s latest LED lineup aims to lower the barrier to professional lighting for content creators
Shure has upgraded its SLX-D wireless mic range with the SLX-D+ system, bringing more flexibility and remote control in demanding environments
How the mirrorless EOS R6 Mark III and cine-style EOS C50 compare when the sensor is the same
Marshall Electronics has expanded its IP camera line-up with the CV420-27X, a compact UHD model designed for IP-first, hybrid production environments
Telycam expands its PTZ ecosystem with the Mix One, an IP video switcher made specifically for PTZ-first production workflows
Pulsar is a new desktop-based software encoder from Repro made to replace traditional hardware encoders in live streams
Nikon has released a free firmware update for the ZR, which delivers a set of improvements for long-form and multicamera production
Our hands-on test of the DJI RS 5 shows a gimbal that combines precise stabilisation, advanced tracking and flexible, filmmaker-friendly operation
Venus Optics has expanded its macro line-up with the release of the Laowa 90mm f/2.8 2x Ultra Macro APO in Micro Four Thirds mount,...
Baselight v7, the update to Film Light’s colour grading and finishing system, has a strong focus on VFX-heavy post-production
Subscribe to the Pro Moviemaker newsletter to get the latest issue of the magazine, news, special offers, occasional surveys and carefully selected partner offerings delivered direct to your inbox.
