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Sony has revealed a new G-Master 100-400mm zoom, as an ideal complement to the new superfast sports camera A9 which was launched today. To answer the need for longer focal-length lenses for its new £4500 mirrorless camera, the new zoom will be available in June for approximately £2500. The variable maximum aperture of f/4.5-5.6 is slightly disappointing, but it means the price and weight can be kept down. Sony's official information says:

Metabones has upgraded its adapters to support the new Panasonic GH5 and the Canon 18-80mm cine zoom, via a free firmware upgrade. Metabones' official information says: 

DJI has introduced the new Phantom 4 Advanced with a 1"-type, 20-megapixel sensor and a mechanical shutter which can shoot 4K video at 60 frames per second. The camera now records H.264 4K videos at 60fps or H.265 4K at 30fps, with a 100Mbps bitrate. The Phantom 4 Advanced+ version comes with its own 5.5-inch 1080p screen integrated into the controller. Flight time extended to 30 minutes. The Phantom 4 Advanced and Phantom 4 Advanced+ is £1,469 (1,549 EUR) and £1,699 (1,849 EUR) and will be on sale on April 30. The official info says: 

Nikon has added many of the 4K video capabilities of its prosumer D500 to the new D7500 enthusiast model, which has just been revealed. Like the D500, the cheaper D7500 uses the same 20.9 MP DX-format CMOS sensor with an ISO up to 1,640,000 and can record 4K UHD video but with a 1.5x crop - of its already-cropped DX sensor compared to full frame. At 1080p it gets three-axis image stabilisation and Active D-lighting to control dynamic range, and there is no crop factor.

The aperture can be power-adjusted, there is 4K output via HDMI, a flat picture profile that assimilates log gamma, and both a mic and headphone jack. There is zebra patterns to aid exposure in video, too. The D7500 is priced at £1299 body only. Nikon's information says:

High Dynamic Range may be the buzzword of the moment for video right now, but there have been very few affordable consumer output device like TVs that can cope with it. Sony has now announced its European pricing for its new Bravia 4K HDR TVs, which start at £3500 for a 55-inch OLED model in the UK. The screen is very thin and the OLED technology gives a much more detailed, rich picture. The official information says:

Zeiss has added a new 135mm f/2.8 lens to its Batis family of full-frame autofocus optics for Sony E mount. There’s built-in optical image stablisation and an OLED display in a metal housing which is weather resistant. The lens will be available in May for £1749.99/ $1999. Zeiss’ official information says:

Canon has revealed new firmware for many of its cameras including the C700, C 100 Mark I and II, XC10, XC15 and ME series.

Of most interest is the change to the C100 Mark II which allows a shutter angle priority mode. This maintains the shutter angle when frames rate are changed and is ideal for switching between normal speed and slow-motion. Sony cameras have this feature and it’s been very popular.

The C100 Mark II also now works better with the popular EF 24-105 f/4 L Mark II lens, compensating for changes in aperture as you zoom. The Mark I C100 gets the similar peripheral illumination correction for the 24-105mm lens as well as 50mm f/1.8 STM, 35mm f/1.4L and 18-135mm EF-S zoom.

The range-topping C700 gets extra recording modes when using the Codex recorder, including 4K/QFHD ProRes, 4.5K Max at 100fps, 4.5K cinescope at 120fps and 422 HQ 10 bit at 60fps.

The XC10 and XC15 hybrid cameras get increased compatibility with 130-standard CFast cards, and the ME cube cameras have lots of updates including new auto exposure modes, improved white balance and monitor support, and support for more lenses.

All the firmware updates can be downloaded from the Canon download page.

 

 

 

 

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Targeting independent commercial filmmakers and small production companies, Pro Moviemaker delivers the latest industry tech innovation and gear scoops to creatives, entrepreneurs and decision makers hell bent on staying ahead of the game. As early adopters, Pro Moviemaker readers want news, reviews and technique features focused on kit so that they know what to buy next and how it will drive the continued success of their business. Diverse in their roles and shooting genres, Pro Moviemaker readers are united by their thirst for knowledge – a thirst which is quenched not only by our hands-on production, post and business advice features, but also our inspirational interviews with leading pros.

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