Lenses

Sigma has widened its new Cine lens range with the Cine FF High Speed 14mm and 135mm T2 full-frame lenses. Sigma now offers seven cine prime lenses, from 14mm to 135mm, and three zooms: the 18-35, 24-35 and 50-100 T2.

The lenses are suitable for up to 8K resolution and most are available in Canon EF, Sony E mount and PL mounts. Sigma will change mounts if you change cameras.

The lenses have a focus ring with feet and metre markings - you decide which you want when you buy - which are luminous to make settings easier to see in the dark.

There are no details of price or availability yet.

Samyang has unveiled a new VDSLR 16mm T2.6 cine lens. This means Samyang now makes 19 cine-style lenses. Thirteen are for DSLRs and six for mirrorless system cameras.

The new 16mm T2.6 will be available in June at a price of £529. The official info says:

Canon has revealed a new Compact-Servo 70-200mm Telephoto Zoom Lens. It's the second in the new range of Canon cine lenses, to go alongside the similarly sized and specced 18-80mm lens. It's for Super35-sized sensors and will be priced at £6,099, not including the servo grip, in the UK later this year. Canon's information says: 

Sony has revealed a new G-Master 100-400mm zoom, as an ideal complement to the new superfast sports camera A9 which was launched today. To answer the need for longer focal-length lenses for its new £4500 mirrorless camera, the new zoom will be available in June for approximately £2500. The variable maximum aperture of f/4.5-5.6 is slightly disappointing, but it means the price and weight can be kept down. Sony's official information says:

Zeiss has added a new 135mm f/2.8 lens to its Batis family of full-frame autofocus optics for Sony E mount. There’s built-in optical image stablisation and an OLED display in a metal housing which is weather resistant. The lens will be available in May for £1749.99/ $1999. Zeiss’ official information says:

Legendary German manufacturer Leica has unveiled a range of nine lenses suitable for the largest sensor cameras. Available in a PL mount, the new Thalia lenses are based on Leica’s medium format stills camera lenses and have super-smooth bokeh due to their unique lens iris design. Prices haven’t yet been announced, but they aren’t going to be cheap! The full information says:

The new Schneider-Kreuznach Cine-Tilt lenses allow you to capture images you simply can't by any other lens, as you can tilt the plane of focus. What does that mean in practice? Well, check out their official launch video and see for yourself! 

We'll be bringing you a test of one of the new Cine-Tilt lenses in the next Pro Moviemaker magazine, too. The official information reads:

Schneider-Kreuznach introduces Xenon FF-Prime Cine-Tilt lenses to enhance today’s dynamic cinematography. These groundbreaking new lenses combine a similar form factor and capabilities as the company’s popular full-frame primes with an added tilt function up to ±4°. By sustaining the field of view during focus and tilt actions, the new cine-tilt design means that previously unimaginable images can be taken by moving and tilting the focus plane.

The new lenses make it possible to capture out-of-focus areas in the frame, especially when using tilt with a large aperture. A 4° tilt angle on the sensor plane corresponds to an 80° focal plane, which varies according to the selected focal length and aperture setting.

Like Schneider-Kreuznach’s standard Xenon FF-Primes, the new version answers today’s practical needs for full-frame imagery beyond 4K in a lightweight and compact, uniform housing. The color-matched lenses feature minimized breathing and a bokeh reminiscent of classic Hollywood. Designed and built in Germany, the new design incorporates sophisticated mechanics for smooth and accurate tilt action. The tilt of the lens is controlled via a high-precision ring with 120° rotation that is as intuitive to operate as pulling focus. Thanks to the common 0.8 module gear, the Cine-Tilt can be used with standard follow-focus systems.

Schneider-Kreuznach’s Cine-Tilt lenses offer the multifold benefits of standard Xenon FF-Primes plus tilt functionality, so there is no need to swap lenses during a shot. With the tilt set at 0°, the Cine-Tilt lenses provide identical images to the standard FF-Primes. The homogenous set comprises focal lengths of 25mm, 35mm, 50mm, 75mm and 100mm – all with T2.1.

Schneider-Kreuznach’s Cine-Tilt FF-Primes will be available in a Sony E-mount this spring, either individually or as a set.

Page 2 of 3

About us

Targeting independent commercial filmmakers and small production companies, Pro Moviemaker delivers the latest industry tech innovation and gear scoops to creatives, entrepreneurs and decision makers hell bent on staying ahead of the game. As early adopters, Pro Moviemaker readers want news, reviews and technique features focused on kit so that they know what to buy next and how it will drive the continued success of their business. Diverse in their roles and shooting genres, Pro Moviemaker readers are united by their thirst for knowledge – a thirst which is quenched not only by our hands-on production, post and business advice features, but also our inspirational interviews with leading pros.

Contacting the team

Advertising

+44 (0)1223 499462

hello@bright-publishing.com

Editor Terry Hope

+44 (0)1959 563007

terry@terryhope.com

Managing Editor Adam Duckworth

+44 (0)1223 492246

adamduckworth@bright-publishing.com

FOLLOW US on twitter: @PROMOVIEMAKER

LIKE our Facebook page

 

Latest posts

Newsletter

Sign up to our newsletter